Dark blue metallic title. How to get the right paint color.

Let's look, for each palette, how to lighten and darken a color. The primary palette has only three colors: overseas blue, light cadmium yellow and seaweed pink. Carmine is preferable to cadmium red light because it mixes with blue purple, and cadmium red light from purple purple brown is not convincing. In this palette, secondary colors are mixed by mixing two or two primary colors.

To lighten just one color, use the lightest color that is immediately adjacent to the color wheel, if you need to clear it further, use White color and slightly lighter than the adjacent color on the color wheel. For example, if you want to lighten green color If you only use white, when you lighten the color it will become even more absorbed. Use, however, a very small cadmium yellow light to lighten the color once you need it to clear well, then use white and a pinch of cadmium yellow light.

The same example can be done with any color on the color wheel. For red use orange, blue use green and so on. Someone might obey this by adding green right away, yellow actually changes the hue, not the tone, and will use white from now on. However, it should be noted that the first transparent green color was created by adding a very small amount of yellow. Clearly, white becomes indispensable, like the monster in this example. Adding yellow to small quantities serves only to reduce color.

The same speech will be for other examples. If you need to darken the color, you should accept reverse process. To darken a little color, use more dark color next to the chromatic wheel. If you need to darken it a little, use black and the shortest color on the color wheel.

For example, if you want to darken a little green, use a pinch of ocean blue. If you need to darken it, use black and blue abroad. This principle remains the same when used. For example, for yellow we can use cadmium yellow and cadmium yellow. Adding three additional primers is both a hot and cool version of each color, but also to produce brighter second colors.

But it should be used in everything and for everything, as if it were a palette of primary colors. For example, when mixing orange color It is advisable to use a warm yellow and a warm red adjacent to the chromatic wheel. Never over-roll the primary, so never mix carmine with Indian yellow or light cadmium yellow with cadmium red. You will only create confusion, and instead of simplifying your life, you will complicate it.

Then, to lighten and darken a color with an expanded primary palette, the same principles apply to the primaries palette, only to have 3 more pigments on the wheel. For example, light cobalt blue and cadmium yellow should be lightened before using small cobalt green. If you need to make it clear, use white and a little green. Using some cobalt blue, use a pinch of ocean blue. If you need to darken it with most black and blue overseas.

Primary and secondary palette. It is a three-dimensional quantity, and a single color wheel is not sufficient to represent the entire colorimetric space. However, to explain the concepts of primary, secondary and complementary colors, a single color wheel is more than enough.

In painting, primary colors are defined as those that cannot be produced by the addition of other colors. Primary colors: yellow, blue and red. Follow the three primary colors in the following picture. By mixing two primary colors, secondary colors are obtained.

The above figure shows how each pair of primary colors generates a secondary color. Thus, we received 6 primary colors of our color wheel, which in combination with black and white are the only colors available in nature. All other colors are nothing more than more or less bright and more or less clear versions of these colors.

By mixing a secondary color with an adjacent primary color, we get a tertiary color. The complementary color of a given color is defined as the opposite color on the chromatic wheel. By observing the following figure, it is easy to establish that. The complementary color of yellow is purple and vice versa, the complementary color of red is green and vice versa, the complementary color of blue is orange and vice versa. Obviously, following the same principle, the complement of yellow-orange is blue-violet. The concept of complementary color is of utmost importance in painting.

But why is the color of the complement so important?

Through the additional color you can control the degree of color saturation. So if I have cadmium yellow and you want a less shiny version, turn the yellow off with a little purple. And if my theory is acceptable, can you tell the brand that produces the "pureest" primary and under which their name is sold, since each manufacturer uses the whole name for some colors? Thank you in advance to everyone who wants to answer me. It is true that the primary ones are those you mentioned cyan, yellow and magenta, and they are called that because they cannot be obtained with other colors. The thing is, it doesn't say that with these colors you get, for example, cadmium red. Since colorimetric space is three-dimensional, the chromatic wheel is a misleading tool because it does not take into account the three color dimensions that artists use as a shortcut for their mixing tests. Think of the total color space in the visible light range as a sphere. With 3 primary colors, you can only get colors in a triangular pyramid shape enlisted in the ball. This way, only a few colors can be mixed. You can only increase this range of colors by adding new colors such as landscapes, reds, etc. color stamps provide rich color saturation to maximize the range of colors that can be represented. Also, the pyramid will not have straight sides, but they will all be curved, because in subtractive synthesis, if you have two colors in colorimetric space, if you mix them, it is not said that you get colors along the line connecting the two points , but often crooked, and this is another reason Because paint is a complex thing. So the only way to understand something in color scheme and go try. Then with a wheel with two yellows, two blues and two reds. In addition to mixing them together with black and white and see what you get. He then starts adding 3 secondary cadmium, violet dioxide and green phthalate. When mixing yellow and black you will notice the color green, start adding burnt shadow earth to your palette to be replaced with black to darken the yellow. Then add yellow oak and sienna. The first is tone yellow and medium saturation. The second is a yellow-orange tone and medium saturation. Many do not use blue and prefer colors such as phthalo blue, overseas blue, cobalt and azure. Instead of purple almond caramel. So the names weren't too fossilized. Then 6 colors black white. Then add 3 seconds to the palette. Then he starts adding yellow ochres, natural sienna, burnt Siena soil. Mixing dark cadmium red with any other color reduces its saturation, so you fail to achieve purple. The only option you have is to mix with purple, so move the hue to purple and darken some color, but the problem of saturation remains. In fact, purple is often used as a primary color. But given that the purple in my opaque acrylic is not completely flat and leaves a lot of marks, it will be difficult to achieve it alone. Alternatively, do you know of a very flat red acrylic red that makes a nice flat shade? I am interested in oils and acrylics. . Moreover, there are two colors, i.e. white and black, which help in darkening or vice versa.

Make sure you have on hand: blue red white black yellow. If you combine red and blue together you will get purple; if you combine yellow and blue together you get green; If you combine red and yellow together, you get the color orange.

At this point, once you have this different color range, you can also make them darker, lighter, or even achieve more saturated colors. To prepare Brown color to loops, you just need to know a little about primary color theory. Anemone, which belongs to the Ranunculidae family, is a kind of flower that includes about 120 species, some of which are in a spontaneous state.

When painting on a painting, use liquid colors such as watercolors. Every artist faces one of the most exciting challenges during his life: representing a mountain landscape. Mixing colors, regardless of rendering technique, is not that simple.

For getting additional information read it. Knowing how to mix colors correctly is really crucial, especially when you are caught using a painting or any design and realize that the color we need has run out. However, in the next steps we will see how to mix colors.

Make sure you have this on hand: Colors. The so-called “primary colors” are three, red, blue and yellow. They are especially important because by mixing them you can create almost all the colors that our eyes can see, so-called "secondary colors." These "tertiary" colors are all colors made by mixing secondary with primary.

For this purpose we will use yellow and red. Depending on the accessories in our hands, such as joints or colored pencils, we should not be afraid of not creating it, as if it were mixed with in the right order, everything will be successful. So, using the yellow color, let's go red as many times as possible until we get the orange shade we want.